Repository for research and artistic work using structured light & video.
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Alexander Porter
Jonathan Minard

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12th October 2012

Video with 2 notes

Catching up on the New Aesthetic writings. In particular Curt Cloninger’s October 3rd article:

http://www.metamute.org/editorial/articles/manifesto-theory-%E2%80%98new-aesthetic%E2%80%99

New Aesthetic images are uncanny (unheimlich, un-homelike). If NA images were totally familiar, we would read them as family photos. (They are our new family photos.) 

This relates a lot to the thinking behind the RGBD research.
For example, the aesthetic of a retro instagram filter or a super8 movie of your grandparents as children is nostalgic because it locks that image to a time and place, because it’s evidently created by the technology from that time.
The new aesthetic investigation seems to have to do with a sort of speculative nostalgia of right now — for example Clement Valla’s, postcards from Google Earth.
There is an interest in understanding how right now ‘looks’ (and will to those in future). And where the Instagram culture is a longing for brand new photographic ubiquity of the 20th century, the new nostalgia  may lie in the brand-new surveillance ubiquity of the 21st century.

Like this family portrait by Trevor Ames.

  1. rgbd posted this